Library : Series :




Total number of titles: 253


Page number: 2
 

 

Bibliography of Reference Works for Japanese Studies.

Author: Naomi Fukuda
Series:
Publisher: Center for Japanese Studies
Release: Feb 1979
Genre: Reference
Reader Rating:
ISBN: B000GFT41U
Summary:


 

The Book of Incense: Enjoying the Traditional Art of Japanese Scents

Author: Kiyoko Morita
Series:
Publisher: Kodansha International (JPN)
Release: Feb 1999
Genre: Arts & Photography
Reader Rating: 4.5 (4 votes)
ISBN: 4770023898
Summary: After using incense for many years I found Japanese incense is the best among all. They only use herbs, spice and wood without any sythetic materials. The scents are very subtle and pleasing.
This book takes you through the history of Japanese incense. Your find that the most comment joss stick incense only has one houndred year history. Before then, Japanese burn woodchips, kneaded incense and granulated incense. From this, the book of incense takes you to a wonderful world of koh-do, incense ceremony.
Maybe you have heard of tea ceremony before. Incense ceremony is even more poetic, elegant and fun. This book explain how the ceremony is set up with pictures of beautiful utensils and instruments.
If you are a incense lover and want to experience a higher level of enjoying incense, the book of incense is a must read.


 

Buddhist Cosmology: Philosophy and Origins

Author: Akira Sadakata
Series:
Publisher: Kosei Publishing Company
Release: Feb 1997
Genre: Religion & Spirituality
Reader Rating: 4.0 (1 votes)
ISBN: 4333016827
Summary: The author does an excellent job of making clear what the ancient Buddhists thought about the structure of the universe. The only lack the book really has is that of perspective, leaving one to wonder what this has to say about modern Buddhism in the face of cosmological advances, but the author makes up for this in the book's masterful final chapter.


 

Bugaku: Japanese court dance,: With the notation of basic movement and of nasori

Author: Carl Wolz
Series:
Publisher: Asian Music Publications
Release: Feb 1971
Genre: Entertainment
Reader Rating:
ISBN: B0006CPFRK
Summary:


 

Bungo Manual: Selected Reference Materials for Students of Classical Japanese

Author: Helen Craig Mccullough
Series:
Publisher: Cornell Univ East Asia Program
Release: Feb 1988
Genre: Reference
Reader Rating: 4.0 (2 votes)
ISBN: 0939657481
Summary: This small handbook is designed primarily as a reference tool for students of classical Japanese ("bungo") who possess a working knowledge of the modern language. The first of its two main sections discusses suffixes attached to each of the verbal bases recognized by Japanese grammarians; the second treats important particles and miscellaneous parts of speech in alphabetical order. A table lists suffixes and their bases in alphabetical order, with cross references to the first section; three others show modern and classical verb and adjective categories and their bases. There are also short sections on grammatical patterns, respect verbs, sound changes, and traditional kana usage. Now includes a six-page index compiled by John Wallace, University of Wisconsin-Madison.


 

Chado: The Way of Tea : A Japanese Tea Master's Almanac

Author: Sanmi Sasaki, Sasaki Sanmi
Series:
Publisher: Tuttle Publishing
Release: Feb 2001
Genre: Cooking, Food & Wine
Reader Rating: 5.0 (1 votes)
ISBN: 0804832722
Summary: "Chado The Way of Tea: A Japanese Tea Master's Almanac" is a translation of the Japanese classic Sado-saijiki, first published in 1960. Covering tea-related events in Japan throughout the year, Sasaki provides vignettes of festivals and formal occasions, and as well as the traditional contemplative poetry that is a part of the tea ceremony.



 

The Chrysanthemum and the Fish: Japanese Humor Since the Age of the Shoguns

Author: Howard Hibbett
Series:
Publisher: Kodansha International (JPN)
Release: Feb 2002
Genre: Entertainment
Reader Rating:
ISBN: 4770028539
Summary: Arthur Koestler claimed that the sense of humor of the Japanese was like "weak, mint-flavoured tea." Was he right? Are funny bones not part of their anatomy? Is laughter something preferably hidden behind one's hand?
In this eloquent and often deliciously amusing book, Howard Hibbett sets out to prove that, in its own way, Japanese humor is just as robust and varied as other people's. Jokes themselves are notoriously resistant to translation, but in the hands of a subtle interpreter such as Hibbett, funny stories and even puns clear the language barrier in great style. If anything, as E. B. White said of his own works in translation, they may at times "lose something in the original."
Hibbett's study begins in the mists of legend, when the Sun Goddess, sulking in a cave, is supposed to have been lured out by the laughter of lesser gods, assembled to watch a "striptease" performed by another goddess. Echoes of that bawdy laughter, we learn, can still be heard through the ensuing centuries, under the accumulation of more sophisticated wit. This, he shows us, is true not only of the age of frivolity that flowered in the seventeenth and eighteenth centuries in the pleasure quarters of the great cities, but of later periods when a stricter public moral code was imposed from above and laughter was thought unseemly, with people resorting to the private consolation of dirty or irreverent jokes. For a while, in the first half of the twentieth century, it appeared that the Japanese were in danger of losing their sense of humor altogether, especially in literature. But not even war and Westernized intellectuals could entirely suppress the sense of fun that reemerged! , alive and well, in postwar vaudeville and films and comic books. And there Hibbett's narrative ends, as it began -- with a comic strip. Any number of solemn books have been written about "the Japanese character," which ultimately is the subject of his book as well. But here at last is one that, while it informs, never fails to entertain.
Front jacket illustration: Hokusai manga, vol. 12.


 

Classical Japanese: A Grammar

Author: Haruo Shirane
Series:
Publisher: Columbia University Press
Release: Sep 2005
Genre: Reference
Reader Rating: 3.5 (3 votes)
ISBN: 0231135246
Summary:
Written by a leading scholar in the field, "Classical Japanese: A Grammar" is an elegant, comprehensive, and practical guide to classical Japanese. Extensive notes and historical explanations make this volume useful as both a reference for advanced students and a textbook for beginning students.
Classical Japanese ( "bungo") was used to write Japanese for more thirteen hundred years, until World War II. The volume, which explains how classical Japanese is related to modern Japanese, includes
• Detailed explanations of basic grammar, including helpful, easy-to-use tables of grammatical forms
• Annotated excerpts from classical premodern texts, with accompanying grammar and vocabulary notes
• Exercises and an answer booklet
• Detailed explanations of honorific expressions
• Appendixes on sound changes, prefixes, and suffixes, rhetorical techniques, and auxiliary verb combinations


 

Classical Learning and Taoist Practices in Early Japan, With a Translation of Books XVI and XX of the Engi-Shiki

Author:
Series:
Publisher: Arizona State Univ Center for Asian
Release: Feb 1985
Genre: History
Reader Rating:
ISBN: 0939252139
Summary:


 

Confessions of Lady Nijo

Author: Karen Brazell
Series:
Publisher: Stanford University Press
Release: Feb 1976
Genre: Biographies & Memoirs
Reader Rating: 5.0 (8 votes)
ISBN: 0804709300
Summary: This is a moving and remarkable autobiography.
First, there is the quality of the writing itself, full of beautiful short poems ('A hidden love and tears/enough to form a river-/were there a shoal of meeting/I would drown this self of mine'), comparisons ('my years had passed as quickly as a racing horse glimpsed through a crack') or metaphors ('life is more fleeting than a dream within a dream').
It confirms Lady Nijo's saying that 'the most important accomplishment for a beautiful woman is the ability to write poetry'.

Secondly, there is the extraordinary eventful itinerary of Lady Nijo emotionally as well as physically.
Emotionally, she cannot forget her father ('I shed tears of longing when I recall the care my father gave me') or her first lover at the age of 14 (the Emperor).
Physically, she gives birth before her 18th birthday to two children from different fathers and in her later life struggles for survival.

Thirdly, it gives an interesting look at court life in this period: drinking, singing, playing music, competition between the concubines and promiscuity showing general human characteristics ('She complains that I am treating you as an empress' or 'This road is too easy to be interesting').
But this book also paints aspects of commom life: the fact that many children are taken away from their parents, religious customs or prostitution.

Fourth, it gives a general impression of the importance of religion and psychology: the mighty influence of the karma principle ('I am convinced that this unbearable passion is simply the working out of some karma from the past') and the importance of dreams ('I just dreamed that I turned into a mandarin duck and entered your body').

The overall tone is melancholic ('No matter how many tints the autumn leaves reveal, once the wind rises they do not last long').

K. Brazell's translation as well as her notes are excellent. I would have prefered an afterword instead of an introduction which reveals already the fate of the author.

This is a truly moving tale, not only for Japanese scholars.


 

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